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Bill Evans began painting seriously at school where he was lucky enough to have two inspiring teachers - Bruce Killeen and Richard Blomfield, both practising artists. One of his main early influences was Nicolas De Stael. He held a one-man exhibition in Oxford in 1969 and took part in the East London Artists exhibition at the Whitechapel Art Gallery in 1974.

Having spent most of his working life as a farmer, forester and estate manager, with painting taking a back seat, Bill started a new career as an artist and has been painting full time since 2013.

He has recently moved into a new, much bigger studio. Visitors welcome by appointment.

Recent exhibitions include

Group exhibitions

  • Blue Ginger gallery, Cradley

  • The Artists Workhouse, Studley Annual Open Exhibition

  • The Chapel Gallery, Bromyard

  • H.Art (Green Cow Kitchens)

  • Royal Western Academy Bristol, Annual Open 2017 and 2018

  • Royal Society of Birmingham Artists Annual Open 2020

  • Shortlisted for John Moores Painting prize, Liverpool, 2018 and 2020

  • Open Studio: Herefordshire Art week 2021


Solo exhibitions

  • Malvern School of Art Long Gallery Bill Evans 2017

  • The Chapel Gallery Bromyard - 'From Sapey Brook to Sicily' 2019

  • Open studio Worcestershire Open Studios 2021

Artist's statement

My paintings start from something seen.  Very often, though not always, this is something in the landscape.   I have lived and worked all my life in a beautiful, undulating corner of rural Herefordshire, and much of my painting is inspired by places that I know well.

Having seen something I want to paint I start with drawings and / or painted sketches done on site, and maybe further studies in the studio.

At some point I decide (or not) to use this raw material to have a go at a finished painting.   Each painting then feels like a wrestling match in which I explore line, pattern and space, and the ambiguities that arise from making marks on a flat surface, while trying to remain true to the feelings that made me want to make the painting in the first place.